Archive for August, 2011

Indiana Jones and the Alley of Doom

Saturday, August 27th, 2011

Remember that scene in Indiana Jones and the Raiders of the Lost Ark where Indy ends up fleeing from a mammoth boulder?

Now imagine that scene with you in it, only instead of running through an ancient crumbling temple, you’re racing down an alley in DC. The boulder? An enormous zorb disguised like a boulder. (Don’t worry: You’ll still get to wear the hat.)

Can you see yourself in this picture?

That’s right folks! The DC Awesome grant for August goes to the Laurenellen McCann for her project: Indiana Jones and the Alley of Doom!


She had us with the title, but we asked Laurenellen to go ahead and explain the project in more detail:

The Alley of Doom is a pop-up experience that’s one part theme park, one part guerrilla theatre, and one part pure, geeky wish-fulfillment.

Cameras will be set up along the course to capture the action so that, after you run, you’ll no longer have to just *imagine* yourself in the scene: You’ll be in it. All video will be edited into personalized segments that will be loaded onto YouTube (and the Alley of Doom website), and folks who give their email address when they run will get their race sent to them directly.

Who can play? Anyone. Everyone. Kids. Old people. Not old people. People with canes. People on bikes. People who know the Indiana Jones theme song by heart. People who have no idea what the heck is going on and are just passing by and get dragged in by a friend/child. Mayor Gray. Anyone.

The point of this project is to provide good, clean, weird fun in an under-utilized urban space. You can enjoy spending a few minutes getting dressed up, pretending to steal a golden statue, and being chased by a giant bouldery ball even if you have no idea Indiana Jones exists. Heck, you don’t even have to like Indiana Jones to play the game. The point is that you have an opportunity to play at all.

What does winning the Awesome Foundation DC grant mean to you? How will you use the grant?

I’ll be honest with you: The Alley of Doom is a silly project — but it’s a silly project with a civic heart. The fact that anyone else besides me not only sees that, but is literally invested in helping me move from talk to action is incredible.

Without the support of the Awesome Foundation one of the critical components of this project — the boulder — would basically be unobtainable. In order to do Doom right (and without a track), you need a faux-boulder that meets certain size, shape, weight, and control requirements. The best thing I’ve found that can do all this is a zorb*, an inflatable globe that a person rides inside. (It’s part of some popular sports in New Zealand, but is just “catching on” in the States.) Needless to say, getting a grip on the boulder-age could easily have been a barrier to ever completing the project at all. Now we just need an alley…and maybe John Williams to come perform the soundtrack live.

What sort of impact do you hope The Alley of Doom will have in DC, and how does winning the Awesome grant help?

DC may not be as buttoned up as some would have you think, but there still seems to be less of the spontaneous energy here than that’s found in other cities. For example, there’s no need to have a “Keep DC Weird” movement because DC isn’t weird…in that way.

With the help of the Awesome Foundation, I’m taking my first shot at contributing to the informal movement to “Get DC Weird.” I don’t actually believe that bunch of people dressing up like Indiana Jones and running around the city will magically foster civic life and community, but I do believe there’s value in creating the kind of public events I want to see more of in this city.

I hope its joyful weirdness is contagious.

What other support do you need? How can people get in touch to support you?

There’s a few different ways that people can get involved in the project if they’re looking to do more than just run. DC folk are encouraged to get in touch if they’ve got set decoration skills and/or have access to whips/Indiana Jones hats. I’d like to put as much of the funding as possible into buying the zorb and providing some safety measures (mats?), so borrowing key props would be a major help. Also, most, but not all of the costs of this project are covered by the Awesome Foundation grant, so small funders looking to get a lot of bang from their $5 shouldn’t be shy.

If any of the above sounds like you or if you’re interested in supporting this project with your time, Canon 5D, or uncanny resemblance to Indiana Jones, send me email me at elle.mccann@gmail.com with ALLEY OF DOOM in the subject line. (Be sure it’s in all caps so it reads like you’re yelling.)

You can follow @AlleyofDoom on Twitter for updates.

Laurenellen also offered some great advice to other people thinking about applying for an Awesome Foundation grant:

Don’t overthink it. If you have a crazy idea and you can sit down and write out the less crazy parts — the budget, the steps to implementation, why it should actually come to be — then you should apply. I waited months before applying not because I didn’t have the Alley of Doom mapped out, but because I was nervous. The application instructions make you think that you need to be at your most clever and snarky in writing — don’t let that psych you out. If your idea really is capital-a Awesome and you actually want to see it come to life, take a chance.

Posted by Bonnie Shaw at 6:29 pm Comments

Feeding and Funding Bluebrain

Saturday, August 27th, 2011

Bluebrain

Sometimes, here in DC, we get so overwhelmed with awesome projects that we need to experiment with new ways to fund more than one a month.

One such project came our way this August from the creative powerhouse of Bluebrain – also known individually as Ryan and Hayes Holladay.

Ryan and Hayes live and work in Washington DC and have gained a reputation for innovative and often large scale works, installations, concerts and experiences. Their most recent endeavor, an album called ‘The National Mall‘, made available exclusively as an iPhone app, is a musical chose-your-own-adventure that allows the listener to explore music as they traverse the landscape in downtown DC. They have been featured in WIRED Magazine, Fast Company, The Washington Post and others.

The Awesome Foundation DC is hosting a special starlit fundraising dinner in their honor to raise an additional $1000 grant to fun their new project: The Living House.

The Living House is a 2 day sound installation that transforms a house on H St into a walk-through sonic experience designed by Bluebrain and featuring contributions from other sound artists and composers.

Each room in the house will be equipped with a separate speaker that will combine to create the entire work. Sounds will literally run through the house, rooms will harmonize with one another, footsteps will go from room to room, etc. The house essentially becomes a musical structure.

The installation will run for 2 nights (Friday, Sept 9th and Saturday, Sept 10th). More details as to how to reserve a space forthcoming.

Please Note: At the time of posting, the Feeding/Funding Awesome Bluebrain Dinner had SOLD OUT, but if you would like to be notified next time we try this or other experiments to fund more projects, please add your email here: http://awesomebenefit.eventbrite.com/, and find Bluebrain on Facebook for updates on their shows and activities.

Posted by Bonnie Shaw at 6:10 pm Comments

Supporting Young Artists

Saturday, August 27th, 2011

Artwork by Kateriela Snipes

This August the DC Chapter of Awesome was joined by the organizers of Tribal Affairs http://tribalaffairs.tumblr.com/, a local group of arts, fashion, design and culinary students working to support young artists in The District.

Tribal Affairs generously donated the proceeds of a recent event as an extra $500 grant to be awarded to a young artist.

The winner of this grant was the inspiring Katrieia Snipes, for her arts mentoring project. It is an 8-week, daily after-school program designed to inspire young people to believe in themselves and build confidence in through art.

Posted by Bonnie Shaw at 6:03 pm Comments

Our Awesome One Night Stand

Saturday, August 27th, 2011

It was a humid summer night in DC when we were seduced by One Night Stand – the winner of the July grant from Awesome Foundation DC.

One Night Stand seeks out vacant lots in the greater Washington DC area and turns them into contemporary art venues for one night. The project team revitalizes the vacant lot, cleans, removes debris and prepares the space for an exhibition that lasts 2-3 hours.

Photo with thanks to @PinklineProject

The aim of the project is to provide spot exhibitions and involve the community in the transformation of their neighborhood.

The project is the brainchild of Randal Scott, and we talked to him about his inspiration for the project:

What is One Night Stand all about, what do you do, where is it, who is it for, and when is the next one?

In a soundbite…ONS puts contemporary arts exhibitions in vacant lots, unused space or wherever, for one night.

ONS was kinda put together on the fly. Traveling back and forth from NY I have lots of time to think and it just came to me (after a long process of looking at way overpriced commercial space in DC) to just throw an exhibition together in a vacant lot. I mean, why not. It’s DC, there are acres of empty spaces that no one uses. No one will care if I just show up and do something, invite some folks and socialize. And, even though I don’t necessarily ask permission to use the lot : ) it’s not like I am spray painting vandalistic graffiti tags on the walls…The project gives back in a positive manner…

So I ended up presenting the first exhibition in a residential neighborhood (off V st and 10thNW) for a total of 3 hours. A lot of work for 3 hours. I needed to give something to the neighborhood for using the space, so leaving the space in better condition than when I arrived seemed obvious. What I did was take a vacant lot, overgrown with weeds, littered with spent 40′s, garbage and whatnots that I probably should not mention, and clean it up. I went through two weed eaters, 10 bags of garbage and a lot of toxic crap people just dumped (that the waste management man kindly removed for me 3 hours before the show opened). The space was not pristine, but it was not about pristine. It challenged me to live outside my gallery comfort zone and despite the threat of rain and the ugly humidity of the day, went quite well.

My exchange for the community was to reinvent an empty space that was an eyesore and a danger to playing kids and, even for just one night, give the hood this cool exhibition in an unlikely space to visit and meet people in the neighborhood they might never have known. turns out the owner of the lot just happened to be at a church BBQ across the street when we were setting up. He loved the idea, took a good look at what we had done and green lighted my usage of the lot whenever I wanted. I love DC people.

How can people get in touch to support you?

www.randallscottprojects.com Facebook too – search for: One Night Stand

What advice can you give to other people thinking about applying for an Awesome Foundation grant?

DO IT. If a ADHD person like me can spend 5 minutes filling out the form, so can you…nothing is gained by not asking. And dreams do come true.

What does winning the Awesome Foundation DC grant mean to you?

It means that winning the lottery is actually possible and likewise, there is hope for funding small projects.

Posted by Bonnie Shaw at 5:58 pm Comments

Building Millennial Philanthropy, 1% at A Time

Wednesday, August 24th, 2011

Daniel Kaufman, founder of One Percent Foundation

Re-posted from NathanielJames.org, for all you AF fans who love innovative philanthropy.

Beginnings

In 2007, Daniel Kaufman started a conversation about philanthropic giving over dinner with his law school friends that has since blossomed into the One Percent Foundation (OPF), a national organization that engages young adults in philanthropy through giving circles and leadership development.

That first circle of friends realized that they were giving reactively, rather than strategically funding the things they cared most about. They uncovered a pattern of challenges that stopped them and their generation from doing more:

  • A concern that they couldn’t afford to be philanthropists.
  • Not knowing where their money would be most effectively shared.
  • Doubting their potential to make an impact.

That group started their own giving circle, pooling 1% of their incomes and collectively overcoming these challenges to effective philanthropy.

“I never meant to start an organization,” Daniel admits.  Soon, the original founders moved to New York, DC, Atlanta, Los Angeles and Seattle, growing into a national giving circle. By 2009, they realized they were filling a vital niche. OPF was ready to scale.

“Millennials aren’t at the table. [They] don’t control any of the sources of funding, and the non-profit landscape represents the passions and perspectives of its funders.’ This is a critical leadership gap. Younger generations bring new ideas, energy, and are committed to improving the world they are inheriting. Traditionally, however, they have to wait in line for leadership in the boardrooms and executive offices of the philanthropic and non-profit worlds, slowing the potential for the positive change they can deliver. They are also a massive, underutilized resource. According to OPF’s research:

If every person in their 20s and 30s gave 1% of his or her income to philanthropy each year, it would translate into $16 billion in annual support for non-profit organizations. This is six times more than the Gates Foundation gave away last year.

How it works

One Percent Foundation is changing the equation. The model is relatively simple. Participants commit 1% of their earnings, as they define it. Working on quarterly grant cycles, participants nominate non-profit organizations to receive an OPF grant. In a key leadership development piece of the program, volunteers act as program officer for one cycle each, learning how to research nominated organizations and complete a due diligence process. Then, the community votes and grants are awarded. If they have less time to give, participants can jump in during the voting phase.

To date, OPF has raised almost $200,000 for organizations, giving $17,000 every grant cycle.

It almost goes without saying, but online organizing is central to this entire process. Word spreads through social media and “all the steps [participants] can take happen through our web site.”

Outcomes

Beyond giving to important causes, OPF is building individual skill sets and shared confidence in the giving community. “There’s this really powerful feedback loop where people feel they can trust the community and can change the non-profit landscape by operating through the community.”

And that change is coming from a willingness to embrace risks, an ability not generally characteristic of traditional grant makers. “[We]really take a chance on innovative ideas and good leadership. We’re funding organizations that a year or two later are getting major recognition from the establishment in the philanthropic space.”

For example, OPF was an early investor in Kiva. Similarly, they helped seed One Acre Fund, helping East African farmers grow more on their land and alleviate hunger. Last year, One Acre received a $765,000 Skoll Award for Social Entrepreneurship and is now serving 55,000 farm families.

What’s next?

OPF is ready to grow once again. They are investing in new leadership (announcements forthcoming) and they are turning growing pains into self-sustaining gains.

“Growth dims the personal sense of engagement,” that has been so important to OPF’s model. The foundation has been so successful at youth engagement because of participants’ authentic, meaningful experience with the program. Daniel doesn’t want participants ever to feel that they are getting lost in a “sea of voices.”

Instead, OPF is converting their model into a web platform where third parties can start their own one percent circles. “Now, for example, a group that has gone through Teach for America or a group of friends scattered across the country can give together.” Daniel hopes this platform will take OPF from a donor and corporate-supported entity to one that earns its revenue.

Lessons for philanthropy at large

OPF is a great example of a pattern I am uncovering in my Mapping Trends in Philanthropy project:

Young leaders + community + smart technology + high risk tolerance = innovative philanthropy.

While the dollar amounts are often on the small end of the spectrum, these new entrants act like sensitive antennas, picking up promising signals that are too small for bigger institutions to read, then amplifying them with recognition and some cash to get started. Traditional foundations would be well served to build this offering directly into their strategies by cultivating relationships with new entities working with young leaders.

Next generation giving is just beginning. I’ll let Daniel have the last word:

“We’re trying to create a movement around philanthropy and democratize giving. There has been a sense that giving circles don’t work with millennials, because they’re too independent. I think that is a statement that is being made with too broad of a brush. There are lots of ways that millennials want to connect and do big things as a community, but there’s not the infrastructure to enable it in a meaningfully way.”

Posted by Nathaniel James at 5:34 pm Comments